1.Considering the composers discussed in this unit – what can you say about their influence on today’s film music in general and how their work is connected to the earlier film scoring of Steiner and Korngold?
2.Of the three important composers talked about in this unit; Horner, Zimmer and Desplat what can you say about their musical differences and style when composing for film?
3.What may be some of the considerations made by composers and directors in deciding if a film should have a synthesized score or maybe a live acoustic ensemble score.
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