The colours of Judaism in Italy were an exhibition in Uffizi Gallery. The show was significantly funded by the Italian Ministry of Cultural Heritage and Activities. The exhibition showcases the history of Italy’s Jewish society from the art galleries. The exhibition showcases some 140 exhibits which include tapestries, textiles, decorative cloths, lacework, clothing, paintings and many other items that have religious and other social significance (Nitti, 2019). The exhibition showcased one of the less exhibited arts in the Jewish community that is the art of weaving which has always had a significant role in the beautification of houses and places of worship often referred to as the palazzo. This artwork reveals how Judaism is much concerned with the preservation of its traditions and culture. The exhibition gives a clue on the Intercultural habit of the Jewish people. The exhibition showcases the ancient World practices up to the fashion of the 20th Century. It, however, exhibits the modern is in the textile manufacturing and by so doing it covers numerous themes that are of great significance. From the ancient Biblical times, the fabrics have had the potential of expressing the soul of the Jewish people through masterpieces from places such as the Far East whereby the Jews of Italy interacted through family engagements and also through trade. Italy’s communities through the interactions with communities they lived with managed to borrow cultural practices and artistic expressions. Textiles from places such as Livorno, Pisa and Genoa showcases the influence that the Near East had.
The exhibition is divide into four particular sections exploring the various aspects of the Jewish culture and their affections for fabrics and textiles that were significant to both the religious and secular use. This included fashion and business in the 20th Century. The concept of the exhibition was t was to embrace and cherish a broad social as well as the cultural context whereby the art and history are interwoven in the waft and the weft for purposes of the exhibition (Jewish Website, 2019). The success of the fabrics will were showcased in a wide display and illustration of about eight categories that start with the days of the High Priest Aaron and goes to the fashions of the 20ty Century. The exhibition showcases the contemporary textile merchandise of the Synagogues. Among these features as well was the fabrics that were traced back to the 15th Century is the curtain of the sacred wardrobe that came from the Jewish Museum located in Rome while another was extracted from the Synagogue of Pisa and the Cloth of the Parato della Badia Fiorentina that initially mapped all the walls of the church. The exhibition will however look into the importance that fabrics have as a social statement from the Wealthy Jewish. This class did not show any hesitation in adding up their own coat of arms to the artifacts that they had chosen for the Synagogues as well as their families and other Mediterranean’s countries whom they traded with and exchanged styles and fashion. Another interesting section will highlight the liberation of the Jews in the 19th Century and the role they played as artists as well as fabric collectors. The exhibition was curated by Dora Liscia Bempporad and Ogla Melasecchi as well.
The exhibition highlights a number of themes which includes the role of writing with the purpose of decoration, the use of fabrics for numerous purposes such as use in synagogues; embroider as a secret adventure, women’s purposes (Jewish Website, 2019). The protagonists, in the Bible as well as in the recent past have the potential to express and showcase the Jewish soul through a number of artistic work, often migrating from the far east as well as the near east who interacted with the Italians in a number of ways(Nitti,2019) .The Italian Jewish societies ended up acquiring the local languages either through osmosis or many other ways. They not only did they acquire the language but also borrowed some works in textiles. The exhibition will exhibit numerous admirable textiles. The textiles were brought from a number of Museums across the World .Some Museums that contributed their fabrics were the Fine Art Museum in Cleveland, Jewish museum in New York and finally the Victoria and Albert Museum in London. The Israel Museum of Jerusalem contributed unique and magnificent niello casket from way back in the fifteenth Century. From the clothes and especially the female clothes section, the magnificent fabrics were gathered to come up with vestments and furnishings of the synagogues.
Through the exhibition, various artifacts are admirable as most of the pieces are the rare ones that were extracted from museums outside Italy. The Italy’s communities through the interactions with communities they lived with managed to borrow cultural practices and artistic expressions(Jewish Website, 2019) .Textiles from places such as Livorno, Pisa and Genoa showcases the influence that the Near East had. Various pieces such as the unique niello casket of the 15th Century. This art work reveals the manner in which Judaism is greatly concerned with preservation of its traditions and culture. The exhibition gives a clue on the Intercultural habit of the Jewish people. The exhibition showcases the ancient World practices up to the fashion of the 20th Century. It however exhibits the modern are in the textile manufacturing and by so doing it covers numerous themes that are of great significance. The exhibition showcases the contemporary textile merchandise of the Synagogues. The exhibition will however look into the importance that fabrics have as a social statement from the Wealthy Jewish. This class did not show any hesitation in adding up their own coat of arms to the artifacts that they had chosen for the Synagogues as well as their families and other Mediterranean’s countries whom they traded with and exchanged styles and fashion. The casket was extracted from the Israel Museum in Jerusalem. From the garments, the feminine ones in particular, the magnificent and valuable ones were acquired in order to come up with various vestments and synagogue decorations whereby at times it was possible to see the lines of garments and their initial purpose. In the portrait that belonged to the Count Giovanni Battist, the person puts on a magnificent tail coat in the Allegory of the five sense by Sebastino Ceccarani(1745).This one part iot illustrates the beautiful yellow dress that is worn by a young girl and it has decorations of flowers on it. The illustrations are splendid so to say. Some have talking badges in admirable frames. On the walls were real needle paintings that could be seen in the moving lights as they kept shining and could reflect light. Among these features as well was the fabrics that were traced back to the 15th Century is the curtain of the sacred wardrobe that came from the Jewish Museum located in Rome while another was extracted from the Synagogue of Pisa and the Cloth of the Parato della Badia Fiorentina that initially mapped all the walls of the church. They all are framed in a wooden golden velvet patter. The thematic illustrations of the exhibitions pass from the 19th Century into the present day textile works.
The exhibition come to a close with a complete masterpiece. This is an eight-meter long lace that was designed well by Lele Luzzati for the Oceanic transatlantic. The lace is a collection of the old and modern pieces that forms the glories and the illustrations of the Commedia dell’Arte Italian and blends with the old age craftsmanship with the amazing expression(Nitti,2019).As desire by the Director of the Uffizi Galleries of Florence, the review of the themes that had never been seen before. The Director claimed that the visitors will get to experience the best pieces in variety of rich exhibits that range from lutirgal wallpapers to diplomatic gifts which rang from dresses to the embroidery, from portraits as well as prêt-à-porter among many other pieces. The President of the Jewish museum of Rome Alessandra Di Castro also added that the making of fabrics and silver among other decorative items is greatly linked and is to be associated with the historical background of the Italian art and the Italian culture. The culture and art has also been interrupted over time by the change in the desire and preference of the artistic civilization. For this reason, the show was all about the common heritage shared by the Italian Jews community. The exhibition showcases the contemporary textile merchandise of the Synagogues. The exhibition will however look into the importance that fabrics have as a social statement from the Wealthy Jewish. This class did not show any hesitation in adding up their own coat of arms to the artifacts that they had chosen for the Synagogues as well as their families and other Mediterranean’s countries whom they traded with and exchanged styles and fashion. The concept of the exhibition was t was to embrace and cherish a wide social as well as the cultural context whereby the art and history are interwoven in the waft and the weft for purposes of exhibition. The success of the fabrics will were showcased in a wide display and illustration of about eight categories that start with the days of the High Priest Aaron and goes to the fashions of the 20ty Century.
References
Gianfranco Nitti (2019)A rich tapestry of Jewish life in Italy at Uffizi Gallery Retrieved from http://www.italianinsider.it/?q=node/8298
Jewish Website (2019)The Colors Judaism in Italy at the Uffizi Gallery. Retrieved from https://jewishwebsite.com/jewish-world/jewish-people/the-colours-of-judaism-in-italy-at-the-uffizi-gallery/43663/
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