How does Walid Raad intertwine fact vs fiction in his art to explore a narrative in a way to access the historical reality of Lebanon.

Walid Raad – The Atlas Group (1989-2004)

 

Walid Raad, a contemporary media artist from Lebanon, created a fictional foundation called The Atlas Group that accommodated and contextualized his works, especially revolving around the Lebanese Civil wars (1975 – 1990), and overall explores ways representing war and history within the Middle East, casting doubt upon the authenticity of photographic and video documentation.

 

 

  • Produces artworks addressing societal, infrastructural devastation by war, later adding fictional aspects to them.

 

The Atlas Group is always presented by Raad – through public lectures and displays (film screenings, exhibitions displaying photography, audio, videos and document archives).

 

 

  • Gives a performative and complex dimension through the methodologies presented through the works of Atlas Group.
  • How Walid incorporates his personal, historical, cultural and political considerations with different audiences (ex. stating of different times in different places in accordance with the geographical location)
  • Is the Atlas Group a way to approach how he curates and establishes his works? How he represents himself in the production of his work.
  • Thinking in terms of cultural context, how does he present his work towards audiences unfamiliar to certain histories within the Middle East?
    • Understanding of language, cultural norms,
  • Although the presentation portrays fictional constructs, they evidently relate to the reality in contemporary Lebanon.
  • How does he curate to look at this reality within the works objectively?
  • Can this collection of “facts” still give us access to that reality? To the experiences people go through within a context?
  • Subjective relationship with this reality – dimensions of experience
  • Although its fiction – it deeply relates with the events Walid has experienced, and is mediated in a way by what these realities are displaying.
  • How can he allow the viewers to see these intervened experiences within the fictional stories.
  • Exploring the narrative and discourse within the context of The Atlas Group project

 

https://frieze.com/article/walid-raad

https://frieze.com/article/walid-raad

 

 

 

 

 

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